{"id":13951,"date":"2024-03-27T18:14:32","date_gmt":"2024-03-27T18:14:32","guid":{"rendered":"https:\/\/wsm.art.pl\/?page_id=13951"},"modified":"2024-04-30T23:22:41","modified_gmt":"2024-04-30T23:22:41","slug":"2024-pacek","status":"publish","type":"page","link":"https:\/\/wsm.art.pl\/?page_id=13951","title":{"rendered":"2024 PACEK Przemys\u0142aw"},"content":{"rendered":"\t\t
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Przemys\u0142aw Pacek<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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fot. archiwum kompozytora<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Ur.<\/span><\/span> w<\/span><\/span> 1999 r.,<\/span><\/span> jest<\/span><\/span> kompozytorem<\/span><\/span> i<\/span><\/span> skrzypkiem<\/span><\/span> pochodz\u0105cym <\/span><\/span>z Lublina. Obecnie studiuje kompozycj\u0119<\/span><\/span> muzyki elektronicznej,<\/span><\/span> filmowej i teatralnej na<\/span><\/span> UMFC, <\/span><\/span>skupiaj\u0105c si\u0119 jednocze\u015bnie na tworzeniu instalacji<\/span><\/span> multimedialnych oraz<\/span><\/span> utwor\u00f3w na syntezatory <\/span><\/span>modularne. W muzyce<\/span><\/span> poruszaj\u0105 go<\/span><\/span> zjawiska nieoczywiste i<\/span><\/span> trudno uchwytne, na<\/span><\/span> kt\u00f3re<\/span><\/span> to stara si\u0119 <\/span><\/span>kierowa\u0107 uwag\u0119 <\/span><\/span>s\u0142uchaczy.<\/span><\/span><\/p>

Kompozytor<\/span> jest<\/span><\/span> wsp\u00f3\u0142tw\u00f3rc\u0105<\/span><\/span> podcastu<\/span><\/span> o<\/span><\/span> kompozycji<\/span><\/span> Zbyt<\/i><\/span><\/span> <\/i>powa\u017cnie<\/i><\/span><\/span>.<\/span><\/span> W<\/span><\/span> latach<\/span><\/span> 2020- 2022<\/span><\/span> by\u0142<\/span><\/span> wiceprezesem<\/span><\/span> Ko\u0142a<\/span><\/span> Naukowo-Artystycznego<\/span><\/span> Wydzia\u0142u<\/span><\/span> Kompozycji<\/span><\/span> i<\/span><\/span> Teorii<\/span><\/span> Muzyki.<\/span><\/span><\/p>

Jest<\/span><\/span> r\u00f3wnie\u017c<\/span><\/span> laureatem<\/span><\/span> wielu<\/span><\/span> konkurs\u00f3w<\/span><\/span> kompozytorskich (w<\/span><\/span> tym<\/span><\/span> 63.<\/span><\/span> Konkursu<\/span><\/span> M\u0142odych Kompozytor\u00f3w<\/span><\/span> im.<\/span><\/span> Tadeusza<\/span><\/span> Bairda),<\/span><\/span> a<\/span><\/span> jego<\/span><\/span> utwory<\/span><\/span> by\u0142y<\/span><\/span> wykonywane<\/span><\/span> na<\/span><\/span> festiwalach<\/span><\/span> takich<\/span><\/span> jak<\/span><\/span> Warszawska<\/span><\/span> Jesie\u0144,<\/span><\/span> NeoArte<\/span><\/span> \u2013<\/span><\/span> syntezator<\/span><\/span> sztuki <\/span><\/span>w<\/span><\/span> Reykjaviku<\/span><\/span> czy<\/span><\/span> Nowa<\/span><\/span> muzyka w<\/span><\/span> Bydgoszczy.<\/span><\/span><\/p>

Ekstensje<\/em> na ensemble d\u0119ty i dw\u00f3ch perkusist\u00f3w<\/strong>
Ekstensja<\/span><\/span> (\u0142ac.<\/span><\/span> \u2018extentio\u2019) oznacza<\/span><\/span> rozci\u0105g\u0142o\u015b\u0107,<\/span><\/span> poszerzanie danego<\/span><\/span> obiektu<\/span><\/span> i<\/span><\/span> jego<\/span><\/span> znacze\u0144. <\/span><\/span>W utworze <\/span><\/span>Ekstensje<\/i><\/span><\/span> pisanym na 80. rocznic\u0119 <\/span><\/span>P<\/span>owstania <\/span><\/span>W<\/span>arszawskiego przestrze\u0144, <\/span><\/span>wielowymiarowo\u015b\u0107<\/span><\/span> oraz<\/span><\/span> odniesienia i<\/span><\/span> kontekst sta\u0142y si\u0119 punktem<\/span><\/span> wyj\u015bcia<\/span><\/span> do<\/span><\/span> rozwa\u017ca\u0144<\/span><\/span> na temat muzyki.<\/span><\/span> Utw\u00f3r<\/span><\/span> metaforycznie<\/span><\/span> oddaje<\/span><\/span> istot\u0119<\/span><\/span> r\u00f3\u017cnych<\/span><\/span> zjawisk,<\/span><\/span> kt\u00f3re<\/span><\/span> mog\u0142y<\/span><\/span> mie\u0107<\/span><\/span> miejsce<\/span><\/span> podczas <\/span><\/span>63 dni walki.

<\/span><\/span>Wa\u017cne przy tworzeniu kompozycji by\u0142y rozwa\u017cania na temat roli jednostki w <\/span><\/span>spo\u0142ecze\u0144stwie,<\/span><\/span> wp\u0142ywie<\/span><\/span> decyzji<\/span><\/span> jednej<\/span><\/span> osoby<\/span><\/span> na<\/span><\/span> wybory<\/span><\/span> ca\u0142ych<\/span><\/span> spo\u0142eczno\u015bci.<\/span><\/span> Ka\u017cdy<\/span><\/span> z<\/span><\/span> 10<\/span><\/span> wykonawc\u00f3w <\/span><\/span>spe\u0142nia w zespole okre\u015blone funkcje. Dialogowanie pomi\u0119dzy instrumentami, \u0142\u0105czenie ich <\/span><\/span>w<\/span><\/span> ensemble<\/span><\/span> i<\/span><\/span> struktury<\/span><\/span> przypomina<\/span><\/span> tworz\u0105ce<\/span><\/span> si\u0119<\/span><\/span> w<\/span><\/span> trakcie<\/span><\/span> powstania<\/span><\/span> grupy,<\/span><\/span> zrywy<\/span><\/span> oraz<\/span><\/span> relacje <\/span><\/span>mi\u0119dzyludzkie.<\/span><\/span> Zestawianie<\/span><\/span> partii<\/span><\/span> solowych<\/span><\/span> i<\/span><\/span> tutti<\/span><\/span> jest<\/span><\/span> za\u015b<\/span><\/span> pr\u00f3b\u0105<\/span><\/span> wej\u015bcia<\/span><\/span> w<\/span><\/span> emocje,<\/span><\/span> kt\u00f3re<\/span><\/span> mogli <\/span><\/span>prze\u017cywa\u0107<\/span><\/span> poszczeg\u00f3lni<\/span><\/span> ludzie<\/span><\/span> uczestnicz\u0105cy<\/span><\/span> w<\/span><\/span> tych<\/span><\/span> dramatycznych<\/span><\/span> wydarzeniach.<\/span><\/span><\/p>

Tak jak walki rozpoczyna\u0142y si\u0119 w r\u00f3\u017cnych miejscach Warszawy, by nast\u0119pnie <\/span><\/span>rozprzestrzeni\u0107<\/span><\/span> si\u0119<\/span><\/span> na<\/span><\/span> ca\u0142e<\/span><\/span> miasto,<\/span><\/span> tak<\/span><\/span> poszczeg\u00f3lni<\/span><\/span> muzycy<\/span><\/span> wraz<\/span><\/span> z<\/span><\/span> przebiegiem <\/span><\/span>20-minutowego <\/span><\/span>utworu<\/span><\/span> przemieszczaj\u0105<\/span><\/span> si\u0119<\/span><\/span> w<\/span><\/span> r\u00f3\u017cne<\/span><\/span> miejsca<\/span><\/span> we<\/span><\/span> wn\u0119trzu<\/span><\/span> ko\u015bcio\u0142a.<\/span><\/span><\/p>

Kompozycja ta nie <\/span><\/span>jest<\/span> jednak komentarzem wsp\u00f3\u0142czesno\u015bci lub pr\u00f3b\u0105<\/span><\/span> interpretacji<\/span><\/span> historii. <\/span><\/span>Muzyka,<\/span><\/span> jako<\/span><\/span> byt<\/span><\/span> abstrakcyjny,<\/span><\/span> przechodzi<\/span><\/span> ponad<\/span><\/span> dyskusj\u0105<\/span><\/span> na<\/span><\/span> temat<\/span><\/span> skutk\u00f3w<\/span><\/span> powstania,<\/span><\/span> ale <\/span><\/span>skupia si\u0119 na uczuciach, na poszczeg\u00f3lnych ludziach; dzieje si\u0119 tu<\/span><\/span> i teraz, nie my\u015bli o tym<\/span><\/span> co mo\u017ce <\/span><\/span>wydarzy\u0107 si\u0119 za moment, lecz jest sensem sama z siebie. W\u0142a\u015bnie o r\u00f3\u017cnorodnych, cz\u0119sto silnych <\/span><\/span>i<\/span><\/span> trudnych<\/span><\/span> emocjach,<\/span><\/span> jakie<\/span><\/span> wywo\u0142uje<\/span><\/span> w<\/span><\/span> nas<\/span><\/span> my\u015blenie<\/span><\/span> o<\/span><\/span> P<\/span>owstaniu<\/span><\/span> W<\/span>arszawskim,<\/span><\/span> opowiadaj\u0105<\/span><\/span> Ekstensje<\/i><\/span><\/span>.<\/span><\/span><\/p>

Przemys\u0142aw<\/span><\/span> Pacek<\/span><\/span><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Przemys\u0142aw Pacek fot. archiwum kompozytora Ur. w 1999 r., jest kompozytorem i skrzypkiem pochodz\u0105cym z Lublina. Obecnie studiuje kompozycj\u0119 muzyki elektronicznej, filmowej i teatralnej na…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-13951","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wsm.art.pl\/index.php?rest_route=\/wp\/v2\/pages\/13951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wsm.art.pl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wsm.art.pl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wsm.art.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wsm.art.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13951"}],"version-history":[{"count":7,"href":"https:\/\/wsm.art.pl\/index.php?rest_route=\/wp\/v2\/pages\/13951\/revisions"}],"predecessor-version":[{"id":15734,"href":"https:\/\/wsm.art.pl\/index.php?rest_route=\/wp\/v2\/pages\/13951\/revisions\/15734"}],"wp:attachment":[{"href":"https:\/\/wsm.art.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}